Webcomics Kiva team – helping entrepreneurs in the developing world

kiiiiiiiiiiiva

Maybe you’ve heard of Kiva, the microlending site that allows individuals to loan money directly to small business owners and entrepreneurs in the developing world. Our dollars, pounds and kroner go a lot farther in nations with weaker economies, and for a motivated individual in Peru, Afghanistan, Cameroon or Cambodia, often just a few hundred bucks can make the difference between between continuing to live in poverty or opening a business to support themselves and their community.

I’ve donated to charity before, but I’ve always been bugged by the fact that I don’t know where my money’s really going — is it funding disaster relief in Indonesia, or buying leather couches for the organization’s New York office? And at times, without much disposable income it’s been hard for me to justify even needed expenses, to say nothing of giving money to others.

But Kiva is different on both counts. Your money goes to a specific individual that you choose, with a specific need that is outlined in detail. You can decide to fund a Tanzanian charcoal vendor or an Azerbaijani taxi driver. Also, these are loans that earn interest — the money is used to help the individuals develop and grow businesses, and they are expected to repay the loan. Historically, 97.5% of recipients do.

I knew all that, but had no impetus to actually get involved until now. Fellow cartoonists Zach Weiner and Ryan North started a Webcomics Lending Team on Kiva, where creators and fans can work together to support these entrepreneurs a world away. I checked it out and saw that other team members had already begun funding a Lebanese auto mechanic seeking tools for his garage.

My dad was also a Lebanese auto mechanic:

Dad's the one in the driver's seat

In the 1940s and 50s, he worked with his father and brothers to support their family, working at various times as a laborer, driver, and mechanic (including, as in the picture above, for the British Army during WW2), eventually managing a tractor dealership.

He came to the U.S. in 1956, and in 1960 opened his own repair shop in California:

Dad on the left

Much of his family would immigrate in the coming years as well. For decades, they continued to sponsor the immigration of friends and relatives, whom my dad would often hire to work in his shop while they found their footing in America. Many of those folks went on to open businesses of their own in time.

The entrepreneurial spirit is strong everywhere in the world, and given the opportunity, people prefer to forge their own destinies rather than have them dictated by even the most well-meaning of foreigners. I’m pleased to join Zach, Ryan, and other webcomic creators and fans in this enabling effort, and would like to extend the invitation to every one of you as well.

So far, in less than a week, Team Webcomics has lent over $2,000 among 59 different loans to individuals in places such as Bolivia, Ghana, Tajikistan and the Philippines. We’d love to have you be a part of it!

You can get Wondermark in your school paper!

NEWSPRINT: while it lasts

Remember, Wondermark is available for your school’s newspaper through the MCT Campus syndicate! It’s available as part of the MCT feature package and possibly à la carte as well. The person to contact is Tony Regan at (800) 245-6536, or email him at campussales at mctinfoservices dot com.

All you have to say is “We’d love to get Wondermark in our paper, please!” These people are nice! You do not have to be afraid of them.

But WHAT IF you are, somehow, NOT the editor of your school’s newspaper? Here is a simple message you can send to the appropriate editor:

Dear _______ [their name goes here],

I’m a big fan of a comic strip called “Wondermark,” and I’ve just learned that it’s available for syndication to school newspapers! Wondermark’s a great strip and I really think it could be a terrific addition to our paper — you can see some sample strips here: https://wondermark.com/bestof.html

MCT Campus is the syndicate that carries the strip, and their contact is Tony Regan (his contact info is here: http://www.mctcampus.com/contact/contact.htm). Thanks so much for taking a look at Wondermark– I hope you like it as much as I do!

Best,

_________
[Put your name here, since if you put my name I doubt it will work]

Thanks very much to everyone who’s championed Wondermark to their school paper. I appreciate every single recommendation!

And hey. If you are in no way connected to a school with a newspaper… Well, maybe it’s time to think about that graduate degree!

New interview; Live sketching Fri. noon PST

Greylock Arts will lock you up with the arts

I’m pleased to announce that Wondermark is currently part of an art-gallery exhibit on online comics, on display at Greylock Arts in Adams, Massachusetts. The exhibit, called .Comics, includes excerpts from a bunch of cool comics and interviews with their creators, including a new interview with me which can be read online.

Representative quote: “Then I’ll start noticing pieces that could combine, Voltron-style, into whatever I need — this face could go with this body, this table is at the same angle as this chair, etc. — and so I’ll end up building the scene that way.”

Also, I’ll be live-streaming again on Friday the 30th, drawing goofy sketches in quite a few Artist Edition books. It’s always a fun time chatting, answering questions, and coming up with weird things to draw. Tune in right here, starting at noon Pacific! Or watch my Twitter for the announcement.

Watch me make comics LIVE: Thurs. 4PM PST

I’ve posted some how-I-make-Wondermark process videos in the past, and have more planned for the future, but I’ve recently discovered the fun of live streaming video! Tuesday’s comic was created with about twenty people watching over my proverbial Internet shoulder, chatting and giving feedback, and I had a great time talking with them, answering questions, and explaining the process as I went along.

Then, I turned on the streaming-cam again for some live sketching on Wednesday, and this time, decided to record the video as well. You can watch it below, after the jump — or here’s a link to the video for readers on feeds.

That video’s about 100 minutes of me drawing Artist Edition books and chatting with viewers — they’re typing in a chat box that I can read, and I’m responding verbally. Again, it was a lot of fun, and it kept me on-task too! (I do not really expect you to sit and watch all 100 recorded minutes, but hey, what you do on your own time is your business)

So I’ll be doing the live-stream thing, if not regularly, at least often for a while, and this time I’m giving advance notice so you can tune in if you like! (I make the show announcements on my Twitter as well.) I’ll be making the next comic this Thursday, starting at 4PM California time. To watch, just visit this handy link right here.

If you do watch, feel free to say hello in the chat to me and the other viewers! The site will give you a default chat nickname (something like “ustreamer-39878”) but you can choose your own name by typing “/nick mycoolname” (without quotes) into the chat window.

Read more

Coloring contest winners!

Thanks to everyone who took the time to enter the coloring contest — we had 53 entries, which is a ton for a contest that only ran for seven days, and I’ve now made the acquaintance of many very skilled colorists, which will be a great asset moving forward into new projects.

The final decisions were difficult, but we had to take into consideration thematic concerns, what the strips would look like on paper, and how they would incorporate into the existing page designs. I think we made decisions that will produce the best book as a whole package. The book will also contain five strips colored by Carly Monardo, my collaborator on the Futurism poster.

The contest winners are:

#291, In which Notability is determined: Alyssa Stock
#302; In which the Moon is annoying: Anita Hawkins
#319; In which He is watching: Kory Bingaman (website)
#324; In which Alvin chooses wisely AND #326; In which the Day is seized: Marcus Thiele (website)
#333; In which Everyone had better Shape Up: Mario Martín (website)

(Guys if you have websites you want me to link to, let me know)

Where are their entries? Why, they’ll be printed in Clever Tricks to Stave Off Death, out in May!

“But I wanna see some co-olor,” I hear you saying. Okay! Here are some pretty cool honorable mentions (click for bigger):

Color by Katherine Wirick

#291 by Katherine Wirick (website). Katherine did some nice work in the skin tones, giving the shapes dimension.

Color by Christina Major

#302 by Christina Major. Christina was the only one to color all six comics! In this one she’s explained why, exactly, the Moon is so annoying. This made me laugh out loud. Nicely done, Christina!

Color by Danielle Gavino

#302 by Danielle Gavino. This was a really lovely take on the strip. I commend Danielle for a creative palette choice!

Color by Shazzbaa

#324 by Shazzbaa (website). Shazzbaa was one of several to use color to make the Walt-Whitman-headed bat slightly more magical. I also like the muted palette.

Color by Taryn Trousdale

#333 by Taryn Trousdale (website). Taryn made extensive use of textures in her entries, which is something I do a lot of in my books as well.

These honorable mentions will all receive prizes for their effort! WHAT PRIZES? Who knows!

Thanks so much for your work, everybody. It’s been a real treat to see! Exactly what I’d hoped for has happened: folks have applied their very divergent personal styles to make these strips unique and distinct from one another. The six strips chosen for the book are very different from these as well, and I think you’ll really enjoy seeing them in May!

Finally — these six strips are now colored and done, but I’ll extend an open-ended invitation to anyone and everyone: If you’d like to take a crack at coloring your favorite strip(s) from the archive, just drop me a line and I’ll send you the full-rez, layered file. If I like your coloring, I’ll replace the black & white version in the archive with your version, and include a link to your site! Easy as that. (You just have to promise not to take it personally if I don’t like it, my standards are pretty high for this sort of thing.) Of course, any entries submitted will also serve as auditions for paid coloring work, just like these have been. So there you go! What are you waiting for, etc.