Every bus heads full-speed toward the edge of the cliff. All but one falter, and tumble to their doom. The last one flies across the chasm, landing heavily, the passengers screaming but alive. Then we do it all again next year

Check out: ‘The Making of Top Gun’

I was saddened to hear over the weekend about the death of director Tony Scott. I haven’t seen a ton of his films, but we dissected Crimson Tide in film school as basically a perfect movie, and of course as a young airplane nut (and specifically fighter-jet nut), Top Gun was pretty seminal for me. I remember all the kids on the playground quoting it in second grade, but it was several years before I could convince my (much older) sister to rent it during a visit to her house.

There’s a lot you can dislike about Top Gun — it’s jingoistic (though not more than many other movies of its time), has some muddled sexual politics, and of course it’s part of the Bruckheimer school of connect-the-dots violent bombast. Still, I think it’s possible to be a fan of problematic things, and I like Top Gun. It’s got airplanes doing cool airplane things, and fighter pilots being hotshots, and just enough aviation lingo peppered into the dialogue to make me feel cool that I know what a RIO is.

Combine that enthusiasm with my background in filmmaking, and here’s a surefire recipe for A Thing That Dave Likes — a very long Making of Top Gun documentary, presumably from a fairly recent DVD release. Here it is on YouTube in two parts!

The documentary features interviews with most of the principal cast (except Kelly McGillis and Anthony Edwards), but including Tom Cruise, Val Kilmer, Michael Ironside, and the actors who played “Wolfman” and “Slider”. Also interviewed are director Tony Scott, producer Jerry Bruckheimer, the editors, one of the writers, several of the pilots and technical advisors, and several of the musicians who worked on the soundtrack, including Kenny Loggins and Harold Faltermeyer.

I personally found it super fascinating! Top Gun came out when I was real young, so it’s always kinda been there, a huge part of the cultural landscape. Yet it hasn’t been obsessively dissected the way that something like Star Wars has, so a lot of the insights and background were completely new to me. In particular, I enjoyed learning about:

• The process of working with the Navy during the script stage to try and find a compromise between a feasible movie, an accurate movie, and an entertaining movie

• How the actors interacted with the actual pilots they were attempting to emulate — both in attitude and in practical matters (Tom Cruise couldn’t get enough of riding in an F-14, but some of the other actors puked up a storm, and Val Kilmer turned down any rides at all)

• How the aerial footage was obtained using camera placements and technique that had until then only been attempted in music videos

• The work of the special-effects unit, which built dozens upon dozens of scale model fighter planes and blew them up, tossed them off towers, and suspended them from cranes, sometimes in front of giant sky-blue backdrops if the weather wasn’t cooperating

• How the editors took hours and hours of miscellaneous aerial footage and essentially wrote huge parts of the story by assembling it however they could manage, then dubbing in new dialogue (over shots of the actors with oxygen masks covering their mouths)

• How the soundtrack was produced, and how it both made the band Berlin super-famous and directly led to their breakup. I found this in particular incredibly interesting: a reminder that sometimes you can’t control what you become known for, and how you deal with that fame, and reconcile that with your creative goals, is up to you.

• How the movie became a cultural force, and even the Navy pilots who’d denounced its lack of accuracy suddenly came around once they became celebrities overnight. The documentary even credits the movie for introducing terms like “crash and burn” into the common lexicon. That’s crazy! I’ve lived with “crash and burn” my entire life, and you’re telling me this movie started it??

SURE ENOUGH. The graph shows the prevalence, in printed media across the 20th century, of the terms “need for speed” (in red) and “crash and burn” (in blue).

(But what in the 40’s gave us “need for speed”? Now I want to find out about that!) (I am guessing it was the nation’s rapid mobilization for war.)

Of course, one of the other neat things about the documentary is hearing from Tony Scott. We won’t hear from him ever again, which is a loss for the world, and I’m glad we have his thoughts here, at least.

BONUS LINK: Somewhere on a floppy disk near my mom’s old 386 IBM compatible I’m sure there is still a painstakingly typed full transcription of a movie I watched a lot more than Top Gun, and that’s Hot Shots!

Rewatching it now, there’s less flying I remembered, but I get more of the jokes, and I can appreciate Lloyd Bridges even more. If you’ve never seen it, here’s the full movie on YouTube. A classic!

Video: Magician Pop Haydn

Last fall, I put on a show: The Super-Stupendous Machine of Death Magic & Variety Show. And here’s the headline act, magician Pop Haydn!

[Video link to YouTube]

(At the top of the video I introduce the show, then Pop comes on at about 2:50.)

I first met Pop and his wife Nancy at the World Steam Expo last year, and was instantly captivated by their warm hearts, generous spirits and fantastic showmanship. Pop has a bunch of other videos on YouTube as well, I highly recommend checking them out!

Pop also has a fundraising campaign happening right now on IndieGoGo:

The Pop Haydn Post-Modern Medicine Show

…Our goal is to create a regularly scheduled monthly show at some of California’s beautiful old vaudeville theaters. We will present variety acts within an old-time medicine show completely re-imagined for the 21st Century.

We are a group of performers who embrace Old Time Music and live variety entertainment that is family-friendly and set at an enjoyable pace with lots of audience participation. We believe in a pleasurable, easy-going style delivered with wit and substance.

If you’re in the L.A. area, or would just like to support live variety theater, consider supporting the Medicine Show. There’s another great video on the IndieGoGo page that’ll cure what ails ya.

BONUS LINK: If you like videos of magicians (often from old-time vaudeville and variety shows) popping up in your Facebook feed, consider subscribing to Pop on FB — I’m constantly amazed by the stuff he posts.

Disasteroid! The Musical – Opens in L.A. this weekend!

Friend of Wondermark & Machine of Death Zachary Bernstein has just let me know that his musical comedy, Disasteroid! The Musical — about a budding romance during the end of the world — is opening for its two-weekend run on Friday, August 10!

If you’re in LA and need a fun date event, check it out at THE UNDERGROUND in Hollywood.

More details at: disasteroidthemusical.com

“Batman Maybe” (and other great videos)

Here are some videos I’ve enjoyed in the last week or so! First, some short ones:

Batman Maybe (warning, spoilers for the latest Batman movie within)

Patrick Stewart, Olympic Ticket Scalper

And some longer ones — I like to leave them on in the background when I’m doing something tedious:

Tina Fey interviewed at Google (about an hour)

John Cleese on creativity (about 36 minutes, and a must watch)

BONUS LINK: Emma Coats relays 22 Rules of Phenomenal Storytelling she learned from working at Pixar (presented here in infographic form by PBJ Publishing). Linking it here so I can find it again when I need it, that is to say, every morning, whispering into the mirror, forever.


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