Scenes from my Watchmen novelization

Some excerpts from my upcoming novelization of the Watchmen movie:

page 54:

The Comedian fired again, his tear-gas canister ricocheting from the side of a school bus and into a crowd of protesters. With his goggles’ magnification turned on, Dreiberg could see a woman coughing and weeping. This isn’t what we talked about! he seethed.

Blake worked the action on his shotgun and took aim again. That’s it! Dreiberg slapped the autopilot lever and sprang to his feet. Taking a deep breath, he leaped from Archie and spread his cloak, landing with birdlike ease on the sidewalk below. Foompt! Another tear-gas canister flew into the crowd.

A few long strides brought Dreiberg face-to-face with Blake. His goggles’ infra-red vision indicated that Blake hadn’t even broken a sweat. But the Comedian only grinned. “I love working on American soil, Dan,” he crowed, splitting the gun open and reaching for the shells in his belt pouch. “Ain’t had this much fun since Woodward and Bernstein.”

“How long can we keep this up?” Dreiberg shouted, his voice cracking with dismay. But Blake’s face still wore that infernal grin. He doesn’t see what I see, Dreiberg thought. It wasn’t a realization so much as it was a recognition of what he already knew. We’ve never been on the same side. Not really.

“Congress is pushing through some new bill that’s gonna outlaw masks,” Blake sneered. “Our days are numbered. Till then it’s like you always say. We’re society’s only protection.”

Blake’s voice had taken on the sardonic tone that always made Dreiberg wonder if he was truly serious, or just trying to provoke a reaction. Blake had never been one to cooperate quietly with authority. But the gun in his hands was no joke — people had been hurt tonight, and Blake had been the one doing the hurting.

Still, Dreiberg couldn’t stop himself from protesting. They were supposed to be heroes, for God’s sake. “From what?” he cried, trying vainly to penetrate Blake’s contemptuousness. Little pieces, he reminded himself. Plant the seeds.

“You kidding me?” the Comedian smirked. “From themselves.”

page 81:

Every camera’s flash seemed, to Jon, to take both an eternity and an instant: he could see the carbon filaments in every bulb slowly curling, like a neglected flower dying on a windowsill. So many chemical reactions, he thought. Fascinated, he followed the molecular chain into the camera itself, where photons bombarded the silver halide in the ribbon of film nestled safely in its center. From there it was a simple matter to track carbon interacting with oxygen and nitrogen — their playful interplay was so fascinating that he was taken aback when he realized he’d followed the chain right though the camera, and was now staring into the flesh of the cameraman’s hand.

It was only Wally’s voice that tore him from his reverie. What time had done to poor Wally! It was suddenly 1971, and Wally was dying of cancer. Jon was starting to get used to these shifts back and forth — only they weren’t back and forth, not really; they were all at the same time. Time was a jewel, and right now he was looking at a different facet.

“The superman exists, and he is American!” Wally was saying. Jon had a vague sort of sense that Wally was referring to him. It seemed like a sentiment that would have been terribly important, once upon a time; now two seconds later Jon could barely remember shadows of what Wally had said, as if having awaken from a dream. It was 1971, and Wally was dying of cancer. It was 1959, and Wally was shaking his hand for the first time.

“Nations around the world are still reeling from this morning’s announcement…” The voice of a newscaster, from far away, reporting on what was happening right now. It was tonight, and Jon was watching television.

They call me Dr. Manhattan. They had just informed him of this, and they had been doing it for years.

They explain the name has been chosen for the ominous associations it will raise in America’s enemies. It is 1959, and they crowd around Jon, unsure what to say as Jon draws on his own forehead. A hydrogen atom. The most logical choice for a symbol. They say the marketing people need a symbol. It is 1975, and Dr. Manhattan toys are gathering dust on a shelf.

They are shaping me into something gaudy, something lethal. Jon looks at the tank and sees every piece of it — every bolt, every rivet, every exploding artillery shell. He looks further, and sees every molecule, every spinning mote of iron colliding with every other. He could reduce it to its atoms to show them how it’s put together, really put together, but he knows they will not understand.

He lifts bolts and plates and engine parts and bullets gently from one another, and the crowd behind him gasps as a thousand component elements of tank suddenly float in the air like a school of deadly metal fish. Then Jon closes his fingers around the iron molecules. One hundred thousand pounds of metal hit the desert floor with a crackling thump. The tank has become a stone.

But it is still iron. It is still the same number of particles. Everything is always the same number of particles.

page 177:

“We need to squeeze people.”

Rorschach’s voice sounded like it always did, like gravel through a sieve. Dreiberg wondered how he could ever tell if the man was annoyed. With practiced motions, he began disengaging the fueling pump from Archie’s power port. So many times he had done this…so many nights. “Sure. Why don’t we just pick names out of a phone book?”

“You forgot how we do things, Daniel? You’ve gone too soft. Too trusting.” Rorschach turned and looked as Dreiberg pulled the hose free. Steam hissed around Dan’s hands. Hot. “Especially with women.”

Dreiberg felt his face flush, and it wasn’t from the steam. What the hell did Rorschach know about women? “Now listen, I’ve had it with that! God, who do you think you are, Rorschach? You live off people while insulting them, and no one complains because they think you’re a damn lunatic!”

Rorschach didn’t respond. Dan could feel his heart pumping deep in his chest as he replaced the hose in its cradle. God, this man’s killed children for saying less than that. He began to look around for things he could grab, ways he could defend himself, even as Rorshach stood and approached him. Dan could almost hear Rorschach’s anger boiling over like a teakettle about to blow. He wrapped his hands around the hose. Splash him in the face. Hit Archie’s remote flamethrower ignition. Has it really come to this? They’re setting us against each other —

But Rorschach only stared at Dreiberg. Impassive behind that shifting mask, his eyes lost somewhere deep within the swirling masses of ink. Dreiberg licked his lips. “I’m… I’m sorry. I shouldn’t have said that, man.”

To his amazement, Rorschach held out his gloved hand.

“Daniel. You are a good friend.”

His voice sounded no different than it ever did — but Dan was moved all the same.

Six facial-hair taxonomies.

You know, of course, of my Hierarchy of Beards poster, surely one of the most invaluable teaching materials made available to the public since the invention of the vivisection. And I have also shown how mine is merely one in a storied history of facial-hair taxonomies. Today, let us consider some others. (The images are clickable.)

These are the endpapers from a 1949 edition of the Reginald Reynolds classic Beards: Their Social Standing, Religious Involvements, Decorative Possibilities, and Value in Offence and Defence Through the Ages, which tries its merry best to be utterly unreadable, but the 1976 American edition of which has one of the greatest covers in history.

These examples are from the 1904 book At the Sign of the Barber’s Pole: Studies in Hirsute History by William Andrews, a book filled with interesting anecdotes about hair fashion throughout European history. These images are from a section about seventeenth-century beard poetry, an example of which (by John Taylor, 1580-1654) runs thusly:

“Now a Hew lines to paper I will put,
Of men’s beards strange, and variable cut,
In which there’s some that take as vain a pride
As almost in all other things beside ;

Some are reap’d most substantial like a brush,
Which makes a nat’rel wit known by the bush ;
And in my time of some men I have heard,
Whose wisdom have been only wealth and Beard ;
Many of these the proverb well doth fit,
Which says, bush natural, more hair than wit :
Some seem, as they were starched stiff and fine,
Like to the bristles of some angry swine ;
And some to set their love’s desire on edge,
Are cut and prun’d like a quickset hedge ;
Some like a spade, some like a fork, some square,
Some round, some mow’d like stubble, some stark bare ;
Some sharp, stiletto fashion, dagger-like,
That may with whisp’ring, a man’s eyes outpike ;
Some with the hammer cut, or roman T,
Their Beards extravagant, reform’d must be ;
Some with the quadrate, some triangle fashion,
Some circular, some oval in translation ;
Some perpendicular in longitude ;
Some like a thicket for their crassitude ;
That heights, depths, breadths, triform, square, oval,
round, And rules geometrical in Beards are found.”

A bit hipper and more ironic is artist Myra Mazzei’s “Mustache Chart,” which focuses specifically on many of the 20th century’s most notable lip-adornments, from Hitler to Zappa. Instead of depicting archetypal styles, in the manner of most charts of this nature, each example here portrays an individual well-known moustache in loving detail. This type of chart is useful for the connoisseur who’s more interested in the subtle variations between, say, the Selleck and the Stalin, than in ogling the outer boundaries of the form à la a fourteen-year-old reading Hot Rod magazine.

Along similar lines is this Threadless design, “Facial Hair Club for Men.”

Similar in content but somewhat more self-congratulatory for its own cleverness is this “Mario Mustache Chart,” which I haven’t been able to trace to a creator (please post a comment if you know). A clever idea but a bit too yesterbatory for my taste.

From well-known beardist Jon Dyer comes a home-grown collection of dozens of different beard configurations, and those who’ve been following the beard scene awhile know that Jon is on a mission to personally experience every different style on his very own face. A hero to many.

I should remind the reader, however, that my own beard chart goes one further and actually outlines the interrelationships between the many different classes of beard. If we are ever to push our discipline forward, there is a need for exploration and classification of more aspects than simple design — how do different beards stack up in different climates? What are their requisite levels of upkeep? And perhaps most crucially, in what manner may a man’s beard communicate telepathically with other beards? These and other frontiers of pogonology still remain to be quantified in chart form.

But for now, at least, we have this:

March Message Merriment

Wondermark fans are a special breed of person — they are rarely found in isolation. When I travel to conventions, I love meeting couples who email comics back and forth to one another, or who share the comics with their families and friends. That is what the Internet is all about! Contrary to what you may have heard, the Internet is not a thing unto itself, it is a medium for facilitating communication and connection between live human beings. It is a very long, very tangled string suspended in the air between a tin can that I’m speaking into, and one down the block or across the country or on the other side of the world that you’re lifting to your ear. Hellloooo over there!

So here is a cool thing that you can do this month. If there is someone in your life to whom Wondermark means something, I want to make their day special. There are three ways of doing this:

a charming missive!

Would your friend, relative or spouse get a kick out of a personalized greeting card from me? I can hand-write any message you like into any of my greeting cards, hand-address the envelope, and send it directly to a person you specify.

The cards can even be scheduled in advance to mail out at any point in 2009 — perfect for an anniversary or something coming up in a few months. One more thing off your list! One less thing for you to remember! How considerate you are! (I won’t tell your secret.)

a single tear!

Or, order a personalized card with a unique sketch inside! If you’ve seen me live-stream my sketching sessions then you know how wacky my drawings can sometimes get. A Unique Sketch Card is a great way to give your friend or loved one the gift of original art in the guise of a thoughtful gesture.

Allo!

Finally, the third option! If you have a friend or loved one whose mind would be blown by getting a happy-birthday call from me, or a happy-anniversary call, or (especially!) a congrats-on-the-new-beard call — now such a thing is possible. During the month of March, I will call your friend for free, anywhere in the world. All you have to do is fill out this handy form to schedule the call. It may sound something along the lines of this:

[audio:marchpromo.mp3]

A minor caveat to this final offer. I do not want to confuse people, or freak them out because I am a stranger who somehow knows their birthday. So please use a bit of discretion, and choose a person whom, when I say “This is David Malki ! from Wondermark,” they will know who the heck it is. This will make the ensuing conversation go much more smoothly.

This job is made wonderful by meeting and interacting with the many thousands of you who spend a few minutes twice a week coming to see what I have to say. Hopefully I can repay that joy just a little bit this month!

Artist Edition drawings!

A few more examples of Artist Edition drawings, which can be created on command for you, your loved ones, or any strangers you happen to feel like buying books for…

Finally, kind Marksman Doug M. sent this picture of himself and his (drawn in total ignorance) amazing-likeness sketch. If only I’d managed to peg that TERRIFYING MURDEROUS GLEAM I’d call it quite uncanny:

Get your own Artist Edition books today! (Doug-level likeness not guaranteed)