Just added: June 17 book signing in Beverly Hills!

faaancy

Mark your calendar! I’ll be bringing books, sketch paper and high-fives to the official Clever Tricks to Stave Off Death release party at the awesome Crescent Hotel in Beverly Hills. What better way to launch a book that no less an authority than Publishers Weekly called “mordant but must-have“?

The Crescent has an amazing indoor/outdoor lounge bar with double-sided fireplaces, massive leather couches, and a full-service bar and restaurant. We’ll be there from 7-10 PM, and I’ll be doing free sketches in all my books! It’ll be my only Los Angeles appearance this summer, and perhaps all year.

This is the first time I’ve held an event like this and I can’t wait to meet everybody who lives in my very own li’l town. Finally, an event in Los Angeles for the locals! Come out, introduce yourself, and represent.

I’ll post another reminder closer to the date, but mark your calendar now for Wednesday, June 17!

Check out: Thomas Bewick

'Saving the Toll', 1804

Thomas Bewick was an English woodcut artist from the late 18th and early 19th centuries. Examples of his work are currently showing at the Ikon Gallery in Birmingham, UK until May 25th. The Guardian‘s writeup on the show explains his work thusly:

By the late 18th century, the woodblock was the poor relation to steel or copper engravings. Bewick brought the medium back to life, at the end of each long day’s work printing money for the Bank of Northumberland. He also found time to produce an enormously popular General History of Quadrupeds, as well as a two-volume History of British Birds, in which these Tale-pieces originally appeared (their name is a play on the fact that they are tail-pieces, decorative squibs designed to fill up space at the end of a text).

There is enormous pleasure in these tiny images, sketched on paper then transferred to a bit of Turkish box-wood, which Bewick then engraved, using little tools he mostly made himself. He imagined image after image, right up until the day he died in 1828. It is surprising he kept his sight. Sometimes he even drew on his thumbnail, licking the images off with his tongue when he wanted to draw another. He would have made a wonderful animator.

Bewick’s work was also the subject of the 2007 book Nature’s Engraver: A Life of Thomas Bewick, and the New York Times review of the book elaborates:

Bewick’s first masterpiece, “A General History of Quadrupeds,” appeared in 1790, when the study of natural history began to be fashionable. There were no field guides of the sort we take for granted; the world of collectors was unconnected and the discipline of classification nascent. In preparation, Bewick spent nine years studying anything he could get his hands on. He collected illustrations made by artists who accompanied explorers into the wild; he visited touring menageries and borrowed items from private collections of taxidermy.

To prepare for his second masterpiece, “A History of British Birds,” Bewick sent out word that he needed specimens, and the northern gentry pitched in with enthusiasm. Crates began to arrive, full of birds either clawing for release or long dead, putrid and crawling with maggots. Bewick carefully examined them, then carved his miniature drawings into blocks of boxwood, sliced from logs sent up from London.

The online Bewick Society also features a wonderful collection of Bewick woodcuts, as well as information about the actual drawing and woodcutting process, which I find fascinating.

Thanks very much to Marksman Ed S. for sending along the info about the gallery show, which led to my discovering all the rest!

Writing: That Old Toronto Magic

old city hall!
photo by swisscan on flickr

I stepped off the airplane and followed the signs, in French and English, the way they do things in Canada. The hallway fed into a giant empty room, thick with winding amusement-park railings full of nobody, the booths at the far end staffed with Valkyries, or bored Customs agents, or trolls — who could say? A stamp and I was through. Canada. I was here.

“Your speedometer’s in kilometers first, then miles smaller,” I told Ryan as his car pulled us through normal-looking streets. I could see why everything filmed in Toronto; it looked like any other American city, what with its traffic lights, sidewalks, and correctly-shaped humans. “That means that somewhere, in some factory, there are American versions of cars being made, and Canadian versions of cars being made.”

“The placard is integral to the frame of the car,” he nodded. “The whole chassis has to be re-tooled to fit the appropriate placard.” He put on his turn signal. It sounded like an American turn signal — but was it?

To most Americans, Canada is a concept. It’s a punchline, a hockey-loving moose-preserve with free health care and an infestation of the French. Anyone who professed a desire to “move to Canada” around some election or other clearly saw it only as non-America, as a place defined by its not being someplace else.

“Did you ever hear of the Walkterton scandal?” Ryan asked. It is news that did not make it to America, so busy are we with our own problems.

“No,” I said, and suddenly I realized we were flying.

Ryan moved the steering wheel and the car banked, dipping sharply into the air and describing a large arc across wide-open sky. Before us were the buildings of the downtown core, and beyond that, the twinkle of Lake Ontario; the CN Tower jutted into the sky like a syringe full of nourishing, bagged milk.

It was astonishing. It was beautiful. It was the glimmer of scales falling from my wide American eyes.

“There is so much we don’t know about Canada,” I gasped, and Ryan laughed.

“Sometimes,” he smiled, reaching into the back seat and handing me a brilliant red maple leaf, shot through with veins and shocking and surprising and real — “sometimes, we like it that way.”

This weekend: TCAF! in Toronto!

tea calf

In just a few short hours I will be boarding an aeroplane for CANADA. This is a country many of you have probably heard of, and in fact some of you probably even live there! If you happen to be in Toronto, the City of Charity, I hope you will come to the biennial Toronto Comic Arts Festival, featuring many fine artists and raconteurs from nations both near and far. It will be my first time in Toronto and, depending on how lenient the local law-enforcement proves to be, perhaps my last! DO NOT MISS IT.

Should you be prohibitively far from Toronto, or restricted from entering Canada due to outstanding warrants, never fear! You can still get the “personal experience” by ordering an Artist Edition book during these LAST SEVEN DAYS that they are available.