Check out: Away We Go

I highly recommend the movie Away We Go, the newest from director Sam Mendes. I don’t think it’s for everybody, but for me, a dude really close to 30 who is in the first sort of nascent stages of starting a family yet who’s still waiting to discover what Adulthood is supposed to feel like, I think this movie was utterly, totally for me.

I won’t link you to the trailer or anything though, because with all due respect to my friends who worked on the marketing, this movie (like pretty much every movie) is better off seen totally cold, without anticipating the big moments that the trailer and commercials give away. So, don’t watch the marketing, but do see the movie. (Oh, and if you don’t like it — well, there’s no accounting for taste. I liked it. Let’s not argue about it, huh?)

Finally: take a look at John Krasinski up there. What do you notice?

He’s bearded.

Correct me if I’m wrong, but I believe this is the only mainstream, non-period American movie in a great while in which the primary romantic protagonist wears a full beard. Leave me a comment if I’m wrong; I’d like to know if there are others!

Check out: Thomas Bewick

'Saving the Toll', 1804

Thomas Bewick was an English woodcut artist from the late 18th and early 19th centuries. Examples of his work are currently showing at the Ikon Gallery in Birmingham, UK until May 25th. The Guardian‘s writeup on the show explains his work thusly:

By the late 18th century, the woodblock was the poor relation to steel or copper engravings. Bewick brought the medium back to life, at the end of each long day’s work printing money for the Bank of Northumberland. He also found time to produce an enormously popular General History of Quadrupeds, as well as a two-volume History of British Birds, in which these Tale-pieces originally appeared (their name is a play on the fact that they are tail-pieces, decorative squibs designed to fill up space at the end of a text).

There is enormous pleasure in these tiny images, sketched on paper then transferred to a bit of Turkish box-wood, which Bewick then engraved, using little tools he mostly made himself. He imagined image after image, right up until the day he died in 1828. It is surprising he kept his sight. Sometimes he even drew on his thumbnail, licking the images off with his tongue when he wanted to draw another. He would have made a wonderful animator.

Bewick’s work was also the subject of the 2007 book Nature’s Engraver: A Life of Thomas Bewick, and the New York Times review of the book elaborates:

Bewick’s first masterpiece, “A General History of Quadrupeds,” appeared in 1790, when the study of natural history began to be fashionable. There were no field guides of the sort we take for granted; the world of collectors was unconnected and the discipline of classification nascent. In preparation, Bewick spent nine years studying anything he could get his hands on. He collected illustrations made by artists who accompanied explorers into the wild; he visited touring menageries and borrowed items from private collections of taxidermy.

To prepare for his second masterpiece, “A History of British Birds,” Bewick sent out word that he needed specimens, and the northern gentry pitched in with enthusiasm. Crates began to arrive, full of birds either clawing for release or long dead, putrid and crawling with maggots. Bewick carefully examined them, then carved his miniature drawings into blocks of boxwood, sliced from logs sent up from London.

The online Bewick Society also features a wonderful collection of Bewick woodcuts, as well as information about the actual drawing and woodcutting process, which I find fascinating.

Thanks very much to Marksman Ed S. for sending along the info about the gallery show, which led to my discovering all the rest!

Check out: Poets Ranked by Beard Weight

A million billion people have sent me this link today! I am so glad I have fine eyes and ears out there to make me aware of things like this.

It is called ‘Poets Ranked by Beard Weight,’ and it purports to be:

…a classic of Edwardian esoterica, a privately printed leaflet offered by subscription to the informed man of fashion and as a divertissement au courant for reading bins and cocktail tables of parlor cars and libraries and smoking lounges of gentlemen’s clubs. […] First published in England on the eve of The Great War, this quaint publication takes the reader on a fascinating excursion through such topics as False Beards, Merkins, and Capillamenta (chin wigs); Effusions of the Scalp and Face; Celebrated Chaetognaths (chaetognathous = hairy-jawed); and even includes an affectionate mini-essay about the wooly mammoth!

Well worth checking out. As for its Edwardian provenance, I’ll say only this: Many of the specific beard labels that this tract employs are shockingly familiar.

BONUS LINK: That this was a ‘Sponsored Link’ in my Gmail should give you an indication of the type of email I receive.

GoRemy’s hilarious song parodies

Not sure how it took me this long to stumble across Remy’s hilarious songs, but here you go. I grew up eating tabbouleh and hummus, so I’m definitely partial to these songs in particular, but the subject matter of Remy’s catalog encompasses the full gamut of our modern existence, and I highly recommend checking out his site for more.

The Tabbouleh Song

Hummus: The Rap

TurboTax: The Rap

Dear Internet. It is strange.

up high
(photo by night86mare on flickr)

Dear Internet,

It is strange. I am on an airplane and I am not quite fully there, in the way that you get when every hundredth second or so you realize that you have fallen asleep, and you wake and the world changes. You realize that a moment ago, you were wrong about everything. Sunlight filters through the windows carving strange shadows on the black aisle floor — with my head canted on the headrest, the moving lines convince me that there is a dog on the airplane.

Sometimes I think the dog is going to be crushed by the stewardess, but it never is.

With my ear against the headrest, the entire airplane resonates. I bring work onto airplanes, my dear Internet, but it is impossible to think in here. Even watching television becomes a chore. Since when has watching television been a chore? Since we started to feel compelled to appreciate things. I do not like wasting time. I do not like watching things that I cannot appreciate. Everything is exhausting, now, even watching television. This time, I can’t manage it.

I sometimes come up with story ideas on airplanes, but they all revolve around airplanes and the circumstances of being on them. When I get off the plane my ideas all involve the struggles inherent in the airport parking lot. I am awash in newness and difference, and then, inevitably, along the long length of Lincoln Boulevard I am lowered slowly back into the same half-finished life from before.

Maybe I will not fit into it anymore! Maybe I have changed from my trip. But the life is like pants that have never been washed, Internet. It keeps its shape. Although it does, over time, become softer.

I like the idea of airplanes. I like going high, and fast, and becoming a guy who is in a different place. When I was a kid I used to imagine that maybe every time I got onto an airplane, vast crews of people leaped quickly into action tearing up roads, deconstructing the false fronts of buildings I’d never been into, and replacing it all with, say, Spokane. The plane would just stay up for as long as it took for all the work to be finished.

I don’t really think this anymore, but I don’t know that it’s any more fundamentally ridiculous a notion than what actually goes on. The difference is mainly in my decreased conception of my own importance in the world.

But I am uncomfortable with the airplane as a device for removing me from a place where I have changed, and reshaping me to fit the place I vacated. I think they do it with the rumbling. The rumbling is what breaks down all the molecules. The vibration allows them to settle.

Why am I talking in this melancholy manner to you, my good friend Internet? I have just read a book by Joey Comeau entitled Overqualified. It has wrapped me in its pages and made me mimic it. It is a thing that happens sometimes with me and books, because of chemicals in my brain. The book made me think of things, and then my brain did something with chemicals. I am not totally clear on the details but I think that is probably okay. I doubt I will be asked to explain it to a class or anything. There is not much I could teach children about it.

I mean, I could probably say “Forget that idea that your brain makes you feel things. You make your brain feel things, and then your brain does something with chemicals.” Then I would sort of halfheartedly shrug. Maybe I would add “Most people do it backwards.”

I do not mimic your work out of irreverence, Mr. Joey Comeau of Canada. I like things that surprise my brain into doing the chemical thing. So I figured if I must be shaped into something by this high, fast, gently-quivering softening chamber, I may as well try to make it something that surprises me.

Yours,

David Malki !

Overqualified

(Buy Joey Comeau’s Overqualified from Amazon,
or from an independent bookstore)