Letters from the Wright Brothers

In 1900, three years before he and his brother accomplished the first controlled, powered heavier-than-air flight, Wilbur Wright wrote to renowned engineer Octave Chanute for advice, one inventor and thinker to another:

…My business requires that my experimental work be confined to the months between September and January and I would be particularly thankful for advice as to a suitable locality where I could depend on winds of about fifteen miles per hour without rain or too inclement weather. I am certain that such localities are rare.

I have your Progress in Flying Machines and your articles in the Annuals of ’95, ’96, & ’97, as also your recent articles in the Independent. If you can give me information as to where an account of Pilcher’s experiments can be obtained I would greatly appreciate your kindness.

In 1917, after decades of inventions, feuds, lawsuits, the death of his brother from typhoid, and only one year before his last flight ever as a pilot, Orville wrote a letter of his own to a certain Master Milford T. Ware:

Dear Sir,
I have your letter of October 21st. I am sorry that I have no drawings of gliders that I can send you.

I’m kind of having fun pretending that the brothers were writing to each other. What a mismatched pair my Imaginary-Wright-Brothers are, ol’ earnest Wilbur and cantankerous, cigar-chompin’ Orville.

“We’ll never getting this thing to fly!” barks Orville, pacing in his shirtsleeves in the dusty bicycle-garage, as Wilbur reaches into his suspenders for a pair of calipers to check a measurement. By way of response, he confidently spins a propeller — “Oh, no?”

With a sputter, a crack, and a clatter, the motor seizes and tumbles into a pile of bicycle gears. Outside, chickens scatter as the air heats for the hundredth time that day: “Willl-burrr!!!!”

(This post is really to bring to your attention the existence of 100,000 aviation photos and artifacts recently posted by the San Diego Air & Space Museum on Flickr — where the latter letter was found — and the website Letters of Note, which reprints correspondence from all manner of notable figures, and whence the former letter was found. Both collections are well worth your exploration.)

Malki-in-Progress UPDATE

Some cool stuff’s been going on over at my behind-the-scenes art blog, Malki-in-Progress !

• For many strips, I’ve been posting close-up shots of individual panels so you can check out the detail. I particularly like the one above — the expression just makes me laugh. This dude’s having a bad day.

• I’ve also posted a few rejected bits and lines that never quite made it into strips — sometimes it takes a few attempts to hone in on what a strip needs to focus on.

• Also some drawings, including hand-drawn maps for the upcoming collected edition of my Dispatches from Wondermark Manor novel series!

• A kind soul has also created a separate LiveJournal feed for the site, and it’s also got its own RSS feed. MiP posts also piggyback on the @wondermarkfeed Twitter, which posts the updates from this main site. There are thumbnails from MiP over on the right sidebar of this site, too, for handy at-a-glance notification of updates!

• FINALLY THERE IS THIS AS WELL

WHAT COULD IT MEAN

A glimpse at SHADOWS

Update on the ShadowMachine/Robot Chicken art show this weekend in Hollywood! My wife Nikki’s allowed me to share some pics of the other figurines (besides the Kate Beaton Fat Pony) that she’ll have on display:

“Doughboy”, from Jon Rosenberg’s Goats (some of which are still available online)

“Cory Doctorow,” from Randall Munroe’s xkcd (a new, original piece!)

And “Red Robot”, from Sam Brown’s explodingdog and R. Stevens’ Diesel Sweeties.

Meanwhile, I’ll be in the Washington, D.C. area this weekend at SPX! SEE YOU THERE??

The Intergalactic Nemesis: a live-action graphic novel

If I were in Austin this weekend, I’d check out the live premiere of The Intergalactic Nemesis, which might be described as a mashup of theater, radio drama, silent film and animation. This video will give you an idea:

The stage version of The Intergalactic Nemesis projects the comic book artwork panel-by-panel while three actors perform the voices, one foley artist creates the sound effects, and one keyboardist plays the score, all live.

This looks like a really neat thing to sit in a theater and enjoy! I’m a big fan of taking the trouble to seek out unique experiences like this. I saw something similar once here in L.A.: a touring, contemporary silent film called Brand Upon the Brain!, which had been shot as a pastiche of 1920s silent films and which was shown in the theater with a live orchestra, sound-effects crew, and narrator (in my show, Daniel Handler). It was a terminally weird movie — about sucking people’s brains out, and so on; sort of bizarre-for-the-sake-of-bizarre which is a very hard thing to make enjoyable for a paying audience — but the spectacle and the craft of the music and the sound-effects and the whole bit was enthralling in itself. I didn’t even like the movie and I didn’t regret seeing it.

So I definitely recommend checking out The Intergalactic Nemesis if you’re in Austin this weekend! The show comes highly recommended by some of my Austinite friends who’ve seen these folks perform before. Performances are this Friday and Saturday, Sept. 3 & 4, at the Long Center. Tickets are here!

If you can’t make it to the live show, the full-length radio drama is also available as free downloadable MP3s!